360 file audio bebas royalti untuk "Cetak Saring"

Electric guitar sample sequence filtered.

Electric guitar sequence filtered.

Electric guitar band filtered sequence remix.

Train sequence band filtered remix.

Train sample band filtered remix.

French horn blowing samples studio rexcorded filtering 1000-1500 hz.

French horn band filtered long sample remix and filtered 800-2000 hz.

Harp sample filtered 700-1200 hz.

Just a basic single wave form sample from a real roland jp-8080 saw wave in the key of g. Used in making an epic super saw and super arp for these youtube tutorials and project:. Part 1: https://www. Youtube. Com/watch?v=byd_yirefiipart 2: https://www. Youtube. Com/watch?v=wruzgwtmvuqfull ableton project here: http://blnd. Io/1aodggb. The sample is tuned to the key of g, you will have to make sure that the sample is set to the key of c or transpose up 5 semitones. I correct this in the new template update; so that all chords and arps are in sync w/ the correct key.

Seamless loop of gaspipe or gasleak hissing continuously. This sound is the actual background noise in the frequency range 1200 to 6800 hz from my randomly generated subhorrorambience1. Wav sample. All frequencies below 1 khz (lowend) and above 8 khz (highend) have been filtered out and the volume has been normalized. I release this sound as cc0. You can do whatever you want with it and don't need to mention my name. Tips & tricks for professional mastering of dark ambient loops:. ~ (range) 1200 - 8000 hz, the highmid area of all sounds. ~ (gate) filtering in and adding subtle noise in this frequency range can addatmosphere or "air" to dark ambience but sound noisy like a tape recording. ~ (filter) filtering out noise in this frequency range can make the bass andlower frequencies (20-1000 hz) in dark ambience sound clearer but more dull. ~ (highend) frequencies above 8 khz should always be filtered out completelyand muted to 0 db, since those are only necessary in music and higher sounds.

Violin through filter fx on line 6 pedal.

A bubble filtered build.

A metal filtered build.

Wobble loop 70bpmdubstep wobble bass lfo cutoff filter loop.

Sample and hold + vcf and manual filter sweeps.

Processed alto sax sound - approx. C5 w/filter stepping.

The same bassline like the other one i made, just with a lowpass filter that is triggered everytime a key is played.

A short section of arp action from my new ms2000r.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

Recording of classic water filter tune heard in most mumbai residential flats.

Sound created by square wave lfos, attenuverters, hard synced vcos, delay, reverb and filter. I think it nice. Kraftwerkish. . .

The same sound thru two filters. No editing. 100% dry.

Filter delayed guitar sample.

Filter delayed guitar sample.

Moog voyager in hard sync does a dual lowpass filter sweep. One of those quintessential moog sounds.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

I needed this synth part for this song i'm working on right now. . . So i decided to create one instead of getting one from here. Saw wave, with a gate, and a saw lfo low pass filter down, with full delay and slight reverb. Areppegiating on a c#6.

Strumming a guitar with lo-fi processing.

White noise with a slow low pass filter.

Sounds that were created during a mixing session. I cut out my favorite samples.

Noise clap.

Could need some sounds in the middle spectrum and better eq. . . Background soft minimal techno?.

Hard deep bassy crackle soundeffect made with ni metaphysical function.

A noise made with a analog modular synth. Used in my submission for disquiet junto project 0504: transform formula.

Fish tank filter record with sennheiser mkh 416 & sound device 744tde-noise in izotope rx9hope you guys will like it.

Yes, my wasp-filter is alive again!.

Kick filtered through a mini moog.

The filter on the fish tank.

Creating slight variations in a simple beat with control voltage. All analog gear in my modular synth. Slightly "mastered" in audacity (normalization, compression, limiter).

Defender air filter white noise.

Recording of fish tank water (filtered) spilling into the tank. Recorded with tascam dr-05.

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

- reading audio file(stereo sound)-the audio is played with the sharpen function diskin; at a speed 5 times greater;-noise filtered for 8 seconds; in which the butterbp filter is applied so that it can be heard more in one channel on another: in this case, more is heard on the right. During the first 8 seconds you hear the filtered noise with the audio at higher speed. During the next 7 seconds the wav audio is heard only on the right channel and the last 15 seconds the wav audio is heard. For the left channel.

Heavily processed vst synth sounds using various phasers, reverbs and filters.

Heavily processed vst synth sound using various filters, reverbs and phasers.

Heavily processed vst synth sound using various filters, reverbs and phasers.

Made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create an uneasy melody.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create a melody.

A bass made with one oscillator and drums from yamaha qy-10. Mixed in a noisy mixer. The qy-10 is also acting as sequencer. The bass sound is made on my modular. 101% analog. Including reverb and delay. Yep, now i have got a midi to cv module.